In The Little Drummer Girl, John Le Carré abandons George Smiley’s British gloom for a world of international terrorism.
Le Carré fashions a tale about a Palestinian responsible for deaths of Jews throughout Europe. The Israelis know him by the coil of surplus wire left with his crude bombs and by the professionalism with which he eludes detection.
They have no idea who he is, but they have a plan to find out.
The Israelis offer a young English actress called Charlie the role of her life.
The Israelis invent a character for her: the role of a dead terrorist’s lover. They drill her in the facts they know of him and the story they have concocted.
Her job is to get inside the terrorist organization and bring its leader to the Israelis.
Charlie has not only to play her character, but once she’s involved, she has to play other roles, the psychological equivalent of portraying a Russian nesting doll.
The “nestedness” of Charlie’s character requires close attention from readers. Sometimes Charlie isn’t sure which character she’s playing.
Le Carré lightens the load with apt, sometimes even hilarious, character descriptions, but never lets readers forget that terrorists and anti-terrorists each kill people.
The Little Drummer Girl by John Le Carré
Knopf. 1983. [Book Club ed.] 429 p.
1983 bestseller #4. My grade: A-
©2019 Linda G. Aragoni