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cover of Godfather shows puppeteer

Manipulating people is what The Godfather does.

As one of the 32 people in America who hadn’t seen the film version of The Godfather, I was pleasantly surprised that the novel is not just another gory Mafia story.

Mario Puzo’s story is solid: It’s packed with more characters than a casting call, each of them interesting variations on familiar gangster-film types. The characters and fast-paced plot never let attention drag.

The Godfather is Don Vito Corleone, a well-to-do olive oil importer hoping one of his sons will take over the family business, which is a front for a gambling and extortion empire in New York City.

His eldest, Sonny, is keen on taking over, but too impulsive for the job; second son, Fredo, lacks leadership.

Michael, the youngest son, defied his father by entering the Marine Corps, became a hero, left the military for Dartmouth College, where he met an all-American WASP, whom he wishes to marry.

The outside story is about how Mike becomes head of the business and steps into his father’s role as Don.

The underlying story is about the culture people carry with them, a mindset and values that are resistant to geography and time.

The novel is worth rereading in 2017 for that underlying story alone.

The Godfather by Mario Puzo
G. P. Putnam, 1969. 448 p. 1969 bestseller #2. My grade: A.

© 2017 Linda Gorton Aragoni

 

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