Night Over Water centers around a largely forgotten piece of 20th century aviation history: the luxury aircraft the Flying Clipper, which could land and take off from the ocean.
In Ken Follett’s novel, a few days after Britain declares war on German in 1939, the Clipper takes off on a 30-hour flight to New York. Some of the passengers are trying to avoid the war, others are trying to escape their pasts.
Weather conditions had to be just right for the Clipper. It couldn’t take off or land unless the waves were less than three feet high. Unless stars were visible, the aircraft had no way to navigate and could run out of fuel. Conserving fuel often meant going through storms rather than around them.
The spark for the drama is the presence on the plane of a mobster being returned to America for trial. His gang have kidnapped the pregnant wife of the Clipper’s engineer in order to force her husband to have the plane land in the ocean off Newfoundland where they can rescue him.
Follett’s characters are types familiar to novel readers. It’s the setting that produces the drama. Few writers can milk the drama from an historical setting to entertain and inform as Follett can.
Ken Follett, who set his three previous bestsellers during World War II, sets The Pillars of the Earth in medieval England.
The novel opens with the hanging of an innocent man. Watching in horror, a pregnant 15-year-old girl curses the monk, the priest, and the knights who hanged him.
Before Follett reveals the significance of that event, he spins a fascinating tale about centered around two men and two women. One is master builder and an artist in stone; both want to build beautiful cathedrals. One of the two women is a beautiful noblewoman, the other an outcast living in the forest.
Twelfth century England was not a pleasant place in which to live. For a half century, the country suffered as competitors vied for the throne.
Towns were burned, crops destroyed, women raped, people slaughtered, survivors forced into penury and starvation.
The clergy sought to protect their rights regardless of who won the throne, sometimes resorting to less than charitable means of promoting their claims.
The story is intricately plotted, fast-paced, and absolutely riveting.
Follet’s story ends with a king settled on the throne and the martyrdom of Thomas á Becket ensuring the church will remain a force in English politics for years to come.
In The Man from St. Petersburg, Ken Follett once again spins an imaginary tale around an actual attempt to win a war by misdirection. Here his focus is World War I.
All Europe knows war is inevitable: Germany has the continent’s strongest army and it wants Alsace and Lorraine back.
England is militarily weak. She and France will need a third ally against Germany.
The Czar wants an alliance with England; he’s sent Prince Orlov to London to seek one.
Winston Churchill taps the Earl of Walden to handle negotiations for England. Walden’s Russian wife is Orlov’s cousin.
Before their marriage, Lady Walden had a lover in St. Petersburg, a poor, militant radical; when her family found out, they had Feliks arrested and tortured. To save his life, she agreed to marry Lord Walden.
The couple have a daughter making her debut in society in 1914 just as Feliks, hardened by imprisonment in Siberia, has come to London to kill Orlov.
Compared to his ordinary blokes, Follett’s upper crust characters are two-dimensional, and unfortunately the focus in The Man is on the social and political elite.
Only Follett’s generous sprinkling of 1914 historical trivia raise the novel above the ordinary.
In 1944, the whole world expected the Allies to invade German-held territory on the continent soon.
The question was where.
Ken Follett’s novel Eye of the Needle is based on the hoax of cardboard ships and planes, called the First United States Army Group, that Britain created to suggest they will attack at Calais, near Belgium, rather than at their intended site in Normandy.
From that historical fact, Follett sets up a thrilling cat-and-mouse game in which a German spy, Henry Faber, called “The Needle” because of his preference for the stiletto as a death weapon, discovers the deception and tries to get his evidence back to Germany.
Farber is a professional spy. The other German spies working in England are rank amateurs; Farber has to eliminate them if they see his face.
The spies trying to catch Farber are also little more than amateurs. Percy Goldiman’s specialty is medieval history; before the war Frederick Bloggs was an inspector with Scotland Yard.
The unlikely pair come up with a scheme for getting a photograph of Farber.
Eye of the Needlecontains no great philosophical truths, but Follett gets his psychological truths right.
Ordinary people rising to the occasion make this mystery-thriller extraordinary.