Three Exemplary Fathers in Fiction

Good fathers are too dull for novels. At least that’s the impression the scarcity of exemplary fathers in bestselling fiction gives. I turned up just three interesting men in the bestselling pre-1970 fiction who have a demonstrable, positive impact on their own children.

Atticus Finch

To Kill a Mockingbird book jacketOf the three, lawyer Atticus Finch in To Kill a Mockingbird is the most famous. Atticus has achieved the status of an American icon. You can buy mugs and T-shirts asking, “What would Atticus do?”

Atticus doesn’t do much of what passes these days for fathering. He doesn’t coach Jem’s little league team. He doesn’t organize Scout’s birthday parties. He doesn’t help his kids with their homework.

Instead, he gives them a lap when they’re hurting, answers their questions, and makes sure they know right from wrong. And he lives his convictions so unwaveringly that people stand to their feet when he passes.

Charles “Stuffy” Anderson

dust jacket of Time and Time AgainA less well-known father is Charles “Stuffy” Anderson in James Hilton’s 1953 bestseller, Time and Time Again. Charles is both proud and embarrassed that his colleagues call him “Stuffy.” He knows he’s a stuffed shirt, but he tries to always be a man of integrity.

Charles sent his son to America when Gerald’s mother was killed in the London blitz. He’s hoping Gerald’s joining him in Paris to celebrate his seventeenth birthday will establish their relationship on a more adult level.

Charles regrets that having to care for his father, who was descending into dementia, kept him from seeing more of Gerald during his teen years, but Charles believed his first duty was to his father.

When he and Gerald are reunited, it’s clear that Gerald loves and respects his father and follows his moral example.

John Graham

gp_cover1John Graham is the last of the three exemplary fathers. Graham made a fortune in the pork packing industry, which allowed him to send his son Pierrepont to be expensively educated at Harvard. The fictional executive pens Letters of a Self-Made Merchant to His Son to give Pierrepont advice not available in those hallowed halls. (The actual author of the 1903 bestseller is George Horace Lorimer.)

The senior Graham writes conversationally, commenting on what his son writes to him and on what he reads between the lines of the son’s letters, and illustrating his points with humorous stories from his own experiences.

When his son does something of which he disapproves, his father tells him. When he does something of which his father approves, he tells him that, too. But Graham assumes his son will do the right thing as soon as he knows what that the right thing to do is.

Shared expectations

Although these fathers are very different men, they give the impression that they would find their children interesting and enjoyable to have around, even if those children belonged to someone else. These three fathers also share some common expectations:

  • They expect their children to be children.
  • They expect their children to be obedient.
  • They expect their children to do what they have been taught is right .
  • They expect their children to outgrow childishness as they grow up.
  • They expect their children to become good companions when they become adults.

With fathers like those, how far wrong could the children go?

My top picks from 1961 bestselling novels

Three novels from the 1961 bestseller list get my nod for top of the top. They are:

To Kill a Mockingbird by Harper Lee

The Edge of Sadness by Edwin O’Connor

The Winter of Our Discontent by John Steinbeck

Each of these books gives a sense of being about real people in real situations. Even though the situations are invented, they feel as if they could have happened to your nighbor’s cousin. Moreover, each is a novel that you can read repeatedly and enjoy every time.  For me these three are books to buy in hardback.

©2011 Linda Gorton Aragoni

 

 

Mockingbird still sings sweetly

To Kill a Mockingbird is a rarity among novels: good literature that’s both interesting and easy to read. A best-seller in the U.S., it also won a Pulitzer prize for literature.

The book has two threads. First, is about  the Finch youngsters, Jem and his sister, called Scout, and their summer-vacation pal, Dill. They invent wild plans to lure the town’s recluse, Arthur “Boo” Radley into the open so they can see if he really is a monster.

The town’s older generation has its own monsters. When a black man is accused of raping a white girl, Atticus Finch is appointed to defend him—hardly an enviable position for a white lawyer in 1930s Alabama. His children soon hear the epithet “nigger-lover”—and worse.

From these two threads, Harper Lee weaves a story about what it means to be grown up enough to respect other people who are different from ourselves, whether they are a different color or a different class or just from some other place.

The film version of the book, starring Gregory Peck, faithfully depicts the plot and main theme of the novel, but it cannot possibly show the details and nuances that make the novel a classic.

If you haven’t read the novel in a while, get it out again. It’s definitely worth rereading.

To Kill a Mockingbird
By Harper Lee
Lippincott, 1960
296 pages
1961 bestseller #3
My grade: A

© 2011 Linda Gorton Aragoni