Half a Rogue mixes romance, politics and bon mots

Harold MacGrath has the happy facility of producing novels that are better than they have any right to be.

In Half a Rogue, he does unexpected things with a predictable plot while keeping up a steady stream of commentary that makes a reader feel like MacGrath’s chosen confidant.

Times Square 190The New York Times building towering over nearby 4-story buildings as horse-drawn carraiges plod the street.s
                                              Times Square, 1905

Half a Rogue by Harold MacGrath
1907 bestseller # 10. Project Gutenberg ebook #4790. My grade: B.

Richard Warrington, a playwright newly come to fame, becomes close friends with Kate Challone, a young actress who stars in his plays.

When Kate announces she’s to marry Jack Bennington, a man in Dick’s hometown with whom he roomed in college, Dick is delighted.

With Kate leaving the city for Herculaneum, Dick decides he’ll move back home.

Herculaneum society is not happy its biggest employer has married an actress.

It’s also not happy that Jack’s younger sister prefers Dick to the local boys.

And, when Dick is tapped to run for mayor, the corrupt local political machine is not happy.

A private eye is sent to New York to dig up dirt on Dick.

Half a Rogue is a most unromantic romance.

Harold MacGrath has given a true story about fictional people in an imaginary town.

The story ends not with a “happily ever after,” but with a sigh and a terse, “Could have been worse.”

As, indeed, every life might have been.

© 2017 Linda Gorton Aragoni

The Jungle is ferocious fiction

Anyone who could call Upton Sinclair’s The Jungle entertainment is morally bankrupt.

The novel, which rocked America in 1906, is exposé, propaganda, political theater.


The Jungle by Upton Sinclair

Viking, 1905. 343 p. 1906 bestseller #6. My grade B-.


Corrupt Chicago politicians. Salmonella-tainted food. Sub-prime mortgages. Water supplies poisoned by industrial waste.

Sinclair exposed them all.first edition cover of The Jungle shows industrial age factories.

Sinclair weaves a journalist’s reporting around the fictional story of a Lithuanian peasant family that comes to the US for a better life.

They have little money, no English. The only person they know lives in Chicago, so that’s where they go.

They get jobs in the vast meat packing industry.

It’s brutally hard, dehumanizing work.

They can’t make a decent living.

They are dependent on credit.

One slip—an accident, an illness—and they may starve or freeze to death.

Sinclair is less interested in his characters as persons than as representatives. His omniscient narrator keeps readers from getting too close to them.

Scenes are Sinclair’s forté: Slaughterhouses, boarding houses, jails, saloons, and brothels are described in sickening detail.

Sinclair’s protagonist, Jurgis, finally comes to see that his personal problems are epidemic, systemic.

Jurgis becomes a socialist.

The socialists have one advantage over other workers: They believe someday things will be better.

©2016 Linda Gorton Aragoni