Myra Breckenridge repels and fascinates

Eponymous Myra Breckrenridge is as repellent a character as you’d ever not want to meet.

And she’s absolutely fascinating.

Photo collage of dictators with overprint.
Myra believes her life mission is to realign the sexes.

Gore Vidal presents Myra’s story as her confidences in her diary, written as therapy on the urging of her dentist and analyst, Randolph.

Myra is in Hollywood to attempt to get money she believes owed to her by Buck Loner, her late husband Myron’s uncle. Buck had built a flourishing acting school on land willed jointly to him and his late sister, Myron’s mother.

Buck says he’ll get his lawyer on it; meanwhile, he invites Myra to join his faculty to teach courses in Empathy and Posture.

Myra and Buck set out to swindle each other without dropping the pose of family bonding.

For 20 of her 27 years, Myra in imagination cast herself as a the female lead in films she saw while growing up. But Myra doesn’t want the subservient roles: Myra hates men, and she’s determined to dominate them.

Despite his heavy hand with satire, Vidal makes the transgender Myra believable and human.

I didn’t like Myra the person or Myra the novel, but I felt I did something necessary and respectful just by exposing myself to Myra’s perspective.


Myra Breckenridge by Gore Vidal
Little, Brown, [1968] 264 p.
1968 bestseller #7. My grade: A-.

©2017 Linda Gorton Aragoni

 

Showboat, the novel, lacks liveliness of musical

A riverboat owner facing competition from the railroad in the waning years of the 19th century buys a successful touring company, the Cotton Blossom Floating Palace Theater.

To secure the company of his adored daughter, Magnolia, Capt. Andy Hawkes convinces his wife, Parthenia, to sail with the company.


Showboat by Edna Ferber

Doubleday, Page. 1926. 398 p. My grade: C.


Showboat first edition cover shows crowd going up gangplank to see the showThe child loves the life and riverboat people and is loved in return.

In her teens, Maggie becomes a part of the acting company, much to the distress of her rigid, narrow-minded mother.

Maggie marries a charming riverboat gambler who had joined the company during one of his losing streaks.

After several feast-or-famine years, Gaylord deserts Maggie and their daughter in Chicago, just as Maggie’s mother had predicted.

To support herself, Maggie returns to the stage to put Kim through convent school.

Meanwhile, Parthenia has taken over operation of the showboat after Capt. Andy drowned in an accident.

When Parthenia dies, Maggie returns to the showboat.

It’s easy to see why Showboat was turned into a Broadway musical: Edna Ferber’s novel reads like notes for a play.

All the elements of a drama are present in the novel—strongly drawn characters, conflict, pathos, romance—but there’s no life in the thing.

©2016 Linda Gorton Aragoni