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Archive for the ‘Propaganda’ Category

Washington DC buildings, 1st edition jacket of Preserve and Protect

First edition cover.

Preserve and Protect is a logical development  of the political landscapes Allen Drury envisioned in Advise and Consent (1959),  A Shade of Difference (1962),  and Capable of Honor (1966).

Allen Drury plunges readers into American politics as it might be played if violence becomes a political tool.

Sometime in the post-LBJ era, Air Force One has crashed, killing an American president on his return to Washington after garnering his party’s nomination.

The Speaker of the House, William Abbott, assumes the presidency until elections can be held. He carries on the policies of his predecessor, Harvey Hudson, keeping American troops in Africa and Panama and retaining Orrin Knox as Secretary of State.

That continuity brings Abbott into direct confrontation with a coalition of extremist groups out to control the presidency by electing Ted Jason, a man they think they can control.

Preserve and Protect is a stronger novel — there’s less author commentary — than the other three novels in Drury’s series.

Readers are left in no doubt as to Drury’s position, but here they have the pleasure of thinking they figured it out themselves.

The characters met in earlier novels seem to have grown more complex, the issues less clear.

The book slips from political novel toward political thriller.

Drury pulls all the threads together skillfully in a shocking — but totally logical — conclusion.


Preserve and Protect by Allen Drury
Doubleday, 1968. 394 pages. 1968 bestseller #6. My grade A-.

© 2017 Linda Gorton Aragoni

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runway is central element on dust jacket of AirportI read Airport in two big gulps two days ago.

Tonight I can scarcely remember the plot or the characters’ names, but the details are still vivid.

In Airport, Arthur Hailey weaves together several plots whose characters happen to be in a particular place, just as he did in Hotel.

In this case, the scene is the fictitious Lincoln International Airport in the overnight hours during a blizzard.

The story focuses primarily on Mel Bakersfeld, the airport’s general manager, who has a rocky marriage, a brother whose air controller job is pushing him toward suicide, and an aging airport no longer capable of meeting the demands of aviation in the post-JFK era.

Hailey works in a couple of plots, one quite implausible, to make the point that airports are dangerously inadequate from a safety perspective.

Hailey tackles the stereotypes about pilots and stewardesses with a story line about one such duo for whom Hailey can’t seem to muster much liking.

What Hailey does marvelously, however, is relay the nuts-and-bolts details of the unseen jobs — the maintenance crews, the ticket counter staff, the air traffic controllers — so readers feel like they are looking over their shoulders as they work.

Airport is worth reading just for that.


Airport by Arthur Hailey
Doubleday, 1968. 440 p. 1968 bestseller #1. My grade: B.

© 2017 Linda Gorton Aragoni

 

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Alice Cholmondeley’s author’s note to Christine prefaces what Cholmondeley says are letters written to her by her daughter, Christine, who was studying in Germany the summer World War I began.

A note saying the publisher chose to alter names of some individuals reinforces the idea that the letters are true.


Christine by Alice Cholmondeley¹
©1917. 1917 bestseller #6. Project Gutenberg eBook #12683. My grade: C .

Woman hands flowers to German soldier head to frontlines

Woman hands flowers to German soldier head to the front, 1 August 1914.

In fact, Christine is a work not merely of fiction, but fabricated propaganda.

The letters’ details provide the proof.

Christine tells her mother a host of “facts” that a parent would have known without telling: the family is poor, Christine is to be away only one year, that no one else in the family has a talent for violin.

Cholmondeley is very good at detail, which gives the story a sense of “this happened.”

The text is strewn with German terms that monolingual American readers will need to look up.

Cholmondeley goes to great lengths to show the Germans as a nation are cruel, brutal, greedy, power-hungry, that they wanted war because war fit in with their philosophy and ambitions.

The value of Christine for today’s readers is less about its story — which is slender — than about its rhetorical strategy. As a study in persuasion, it’s well worth careful examination.

Techniques that Cholmondeley uses against the Germans might be used today against Muslims or Methodists.


¹Alice Cholmondeley is a pen name of Elizabeth von Arnim, born Mary Annette Beauchamp, an Australian-born British novelist. By her first marriage she became Gräfin von Arnim-Schlagenthin, and by a second marriage, Countess Russell.

©2017 Linda Gorton Aragoni

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Canadian Expeditionary Forces artillerymen prepare shell as early Christmas present to Germany, Nov. 2016

Canadian artillerymen ready early Christmas package to Germans.

Larry Gwynne, normally an obedient 10-year-old, plays hooky from school with some other boys one spring day.

Challenged to prove himself in a fight, Larry refuses. The other boys say he’s a coward, like this Quaker mother.


The Major by Ralph Connor

1918 bestseller #7. Project Gutenberg ebook #3249. My grade: C.


From that beginning, Ralph Connor produces a novel about how rural Canadians responded first to the threat and then to the fact of the first World War.

The plot is an amalgam of familiar story lines.

As the title suggests, Larry grows up to become a major in the Canadian Expeditionary Forces.

There are several romances in the novel as Larry’s two sisters, some of their friends, and then Larry himself find true love.

There’s also a plot of sorts about Larry’s beloved mother, scrimping to supply the necessities her husband’s inept management deprives them of.

Connor doesn’t actually develop any of the plots: He merely drags them through the same pages together.

The novel is not a bad first draft, but it needs a good working over with a blue pencil to reduce the number of plots, and give more definition to the central characters, and smudge the outlines of the lesser ones.

Connor’s skills improved with practice, as his bestseller the following year shows.

© 2016 Linda Gorton Aragoni

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Anyone who could call Upton Sinclair’s The Jungle entertainment is morally bankrupt.

The novel, which rocked America in 1906, is exposé, propaganda, political theater.


The Jungle by Upton Sinclair

Viking, 1905. 343 p. 1906 bestseller #6. My grade B-.


Corrupt Chicago politicians. Salmonella-tainted food. Sub-prime mortgages. Water supplies poisoned by industrial waste.

Sinclair exposed them all.first edition cover of The Jungle shows industrial age factories.

Sinclair weaves a journalist’s reporting around the fictional story of a Lithuanian peasant family that comes to the US for a better life.

They have little money, no English. The only person they know lives in Chicago, so that’s where they go.

They get jobs in the vast meat packing industry.

It’s brutally hard, dehumanizing work.

They can’t make a decent living.

They are dependent on credit.

One slip—an accident, an illness—and they may starve or freeze to death.

Sinclair is less interested in his characters as persons than as representatives. His omniscient narrator keeps readers from getting too close to them.

Scenes are Sinclair’s forté: Slaughterhouses, boarding houses, jails, saloons, and brothels are described in sickening detail.

Sinclair’s protagonist, Jurgis, finally comes to see that his personal problems are epidemic, systemic.

Jurgis becomes a socialist.

The socialists have one advantage over other workers: They believe someday things will be better.

©2016 Linda Gorton Aragoni

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In 1935, Europe was preparing for war against the Jews and Socialists and anybody else who didn’t care to knuckle under to the likes of Hitler and Mussolini.

Watching Europe fall into the clutches of dictators, Sinclair Lewis pondered how a dictator could come to power in America.

Novel title  "It Can't Happen Here" superimposed on photo of German army officers listening to Adolph Hitler.


It Can’t Happen Here: A Novel by Sinclair Lewis

Sun Dial Press, 1935. 458 p. 1936 bestseller #6 My Grade: B+.


It Can’t Happen Here opens as the Rotary Club in Fort Beulah, Vermont, makes patriotic speeches.

In the audience, newspaper editor Doremus Jessup views both the flag-waving and the potential for dictatorship with skepticism.

Before long, however, America elects Berzilius Windrip president and what couldn’t happen begins to happen.

First the “Minute Men” become Windrip’s private army.

Then civil rights are suspended to fight unspecified threats to national security.

Dissidents lose their jobs, go into concentration camps, are killed.

Jessup is drawn into the opposition.

The personalities are credible, the places recognizable, the situations horrifying.

The nightmarishness of the story is oddly intensified by the flatness of Lewis’s presentation: It’s as if none of the characters dares feel deeply.

Doremus doesn’t turn into a hero.

No one does.

That’s what’s terrifying about this once more timely novel.

© 2016 Linda Gorton Aragoni

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In his forward to The Clansman, Thomas Dixon says his novel shows how the Klu Klux Klan “against overwhelming odds…saved the life of a people.”

Readers can judge that for themselves.


The Clansman by Thomas Dixon

An Historical Romance of the Ku Klux Klan. Illus.with scenes from photo-play The Birth of a Nation.
Grossett & Dunlap, 1905. 374 pages. Project Gutenberg EBook #26240.
1905 bestseller #4. My grade: C.


The novel opens April 10, 1865. Having won the war, Lincoln intends to win the peace by helping the South to recover.

Lincoln’s opposition includes Austin Stoneman, the power behind Congress.

Stoneman’s daughter and son have fallen for South Carolinians Ben and Margaret Cameron.

When Stoneman’s health requires a warm climate, Elsie and Phil select South Carolina for their father’s recuperation.

Quicker than you can butter a biscuit, Elsie and Phil turn Southern.

Ben Cameron organizes the Clan.

Stoneman recuperates in time to try to defeat the Clan.

You can guess the rest.

Stockman is the only interesting character in this dumb story, yet Dixon suggests no plausible explanation of Stoneman’s hatred of the South.

As a novel, The Clansman is a dud.

As a cultural and historical phenomenon, it’s dynamite.

I can’t recall a novel that gives a better sense of the nation’s emotional response to the Lincoln assassination, nor think of a better illustration of how Civil War mythology perpetuates itself in the South.

© 2015 Linda Gorton Aragoni

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