The Witching Hour by Anne Rice

Fine carved angels and lit candles are dust cover background.Imagine a mashup of a novel by Judith Krantz and one by Stephen King and you’ll have an approximation of Anne Rice’s The Witching Hour.

Rice begins her story in the present day, when a drowned man is revived by Rowan Mayfair, a neurosurgeon from a family of witches with special powers, who pulls him from the frigid waters of San Francisco Bay.

Michael Curry knows that while dead he was given some task to complete and given some unusual sensory powers. He’s forgotten what the task is and is scared by the powers.

Michael grew up poor, but grew a construction business that has made him wealthy.

By contrast, the Mayfairs are enormously wealthy and have been wealthy for four centuries: Rowan can write a check for two luxury cars on one day more casually than most people would write their monthly check to their electric company.

The duo fall in love and move to New Orleans where both their families have roots and Rowan’s family manages her trust fund.

It’s hard to care about the miseries of the super-rich, and even harder to care about the super-rich who may not even be human. Put their stories in a 965-page novel, and you’ve got a good doorstop.

The Witching Hour by Anne Rice
Alfred A. Knopf. ©1990. BCE. 965 p.
(Lives of the Mayfair witches series)
1990 bestseller #9; my grade: C-

©2020 Linda G. Aragoni

The Stand, complete and uncut

2 medieval-appearing figures fight with swords
Dark, brooding eyes above carved cherubim

In 1978 Stephen King published a shorter version of The Stand to critical acclaim. He reworked and restored the cuts, added new material, and this 1,153-page novel became a 1990 bestseller.

A flu virus being tested by U.S. government labs as a biological weapon is accidentally released, causing the deaths of 90 percent of the American population. Survivors, who had natural immunity to the virus, begin to migrate in search of other survivors.

One group drifts into Boulder, Colorado, where a 108-year-old black woman with a deep Christian faith becomes the figurehead around which people attempt to rebuild America according to its Declaration of Independence and Constitution.

A second group drifts into Las Vegas, where a “dark man” attracts people who are uncomfortable with religion and representative democracy.

A clash between them is inevitable.

Although there is a supernatural element to the novel, its most terrifying elements are all-too-familiar aspects of human nature we see on daily newscasts. King draws all his threads together into a plausible ending, leaving readers with a great deal of uncomfortable reality to think about.

Unfortunately, I’m afraid readers in 2020 won’t read such a long book, no matter how good—and The Stand is the best of the King bestsellers I’ve read.

The Stand, complete and uncut, by Stephen King
Viking. ©1978, ©1990. 1153 p.
1990 bestseller #7; my grade: A

©2020 Linda G. Aragoni

Four Past Midnight: novellas

burning gap at 12:04 on clock face marks 4 past midnight
It’s horrors time.

Four Past Midnight is a set of four Stephen King novellas in a single wrapper, each with a different way of scaring readers.

The first novella, “The Langoliers,” takes a science fiction approach. In it, 11 passengers on a flight from L.A. to Boston wake to find they’ve slipped into a people-less world where they are the likely next victims of some unseen menace eating its way across America.

In the “Secret Window, Secret Garden,” a novelist is menaced by someone who claims the novelist stole his story.

“The Library Policeman” turns a child’s fear of what will happen if library books aren’t returned on time into a tale of a real monster who sexually abuses children while maintaining the guise of something other-worldly.

“The Sun Dog” is a tale of technology: A Polaroid camera takes photographs of objects that aren’t visible to the naked eye.

King is at his best in the stories that open with situations that make adult readers uncomfortable. “Secret Window” revolves around a perennial problem for fiction writers: Is their work really original? The “Library” story opens with a man who is picked at the last minute to give a speech to Rotary and has to ask the librarian for help.

Four Past Midnight by Stephen King
Viking, ©1990. 763 p.
1990 bestseller #2; my grade: C+

©2020 Linda G. Aragoni

 

The Dark Half (novel)

undistinguishable dark blurs are background for author and title name
Nothing’s clear here

The Dark Half is a Stephen King novel with all the creepy ambiance and nightmarish monsters for which King is justly famous.

And, like most King novels, at its core is a fairly common occurrence: Writing under an assumed name.

When novelist Thad Beaumont slammed into writer’s block, he occupied his time writing violent novels under the pen name George Stark. Stark’s name was on four very successful novels.

A dozen years later, in a mock ceremony captured in People magazine, Thad and his wife buried Stark beneath a tombstone inscribed “Not a Very Nice Guy.”

Stark’s readers are furious.

So is Stark.

The never-existent Stark is determined to use Thad as an instrument for writing his stories, just as Thad used Stark.

When the Beaumonts’ odd-jobs man is found murdered, Thad’s fingerprints are found on the man’s truck.

Sheriff Alan Pangborn thinks it’s an open-and-shut case, but until he interviews Thad, who has witnesses to the fact he was at home miles away when the murder occurred.

The Dark Half blends the mundane with bizarre facts about twins, adds a touch of Alfred Hitchcock, and winds up with the all-too-real possibility that the Beaumont’s marriage won’t survive.

It also leaves the question: How do novelists create their characters?

The Dark Half by Stephen King
Viking. ©1989. 431 p.
1989 bestseller #2; my grade: B

©2019 Linda G. Aragoni

Queen of the Damned

background image is photo of female figures on a 1889 Tiffany silver punch bowl
The plot’s as faint as the photo.

The Queen of the Damned is the third of Anne Rice’s novels about vampires. Perhaps if one has read the previous two, Queen might be interesting, or at least intelligible.

As a stand-alone, it’s a dud.

The title character doesn’t appear until page 123. Up to that point, the book has been assorted ramblings from various characters living at various times in various places around the world.

Some characters are spirits, some are vampires. Each is totally self-absorbed and incredibly boring.

The main male character is Vampire Lestat, a rock star whose fan’s think “Vampire” is his stage name:

At rock concerts, nobody knows if you’re a vampire.

Lestat’s enemies attack one of his concerts, killing masses of people.

Lestat escapes thanks to the Queen of the Damned, Akasha, who regards him as “the essence of masculinity.”  Akasha wants Lestat to join her program for world improvement: She’s going to kill 99 percent of all males, keeping 1 percent for breeding purposes.

While there are some human characters in the novel, they are depicted primarily as great, unwashed masses, fit only as food for non-humans.

Rice includes some of her husband’s poems in the book. They’re better than her story.

Queen of the Damned by Anne Rice
Chronicles of the Vampires ; v. 3
Knopf. ©1988. 448 p.
1988 bestseller #7; my grade:

©2019 Linda G. Aragoni

Misery a Stephen King novel

Man in wheelchair sits beside bedroom window in shadow of female figure with axe
Death by hatchet awaits

Stephen King terrifies most when his stories most closely reflect everyday life. In Misery, King weaves together two familiar memes, throws in a couple of  over-the-top bits of nastiness, and produces a novel which can terrify on two levels.

The story begins with Paul Sheldon waking in a strange place in incredible pain.

A few days before, Paul had typed the last page of Fast Cars, which he thinks is his best novel, way superior to the “Misery” series that made him rich and famous.

Somewhere in the Colorado Rockies, Paul crashed his car. He’s had the misfortune to be rescued by his “number one fan,” an ex-nurse.

Annie Wilkes can’t wait for Paul’s next book.

When she learns Paul killed off that novel’s lead character, Annie insists he write a novel just for her in which Misery Chastain doesn’t die.

Despite the blur of the pilfered drugs Annie feeds him, Paul realizes she’s a pathological killer and he will be her next victim.

The pathological killer in medical settings was already a familiar and terrifying figure in the ’80s.

Nearly 40 years later, we’re now getting accustomed to the other terror in King’s novel: The adoring fans determined to control the artists they idolize.

by Stephen King
Viking, 1987. 310 p.
1987 bestseller #4; my grade: A-

©2019 Linda G. Aragoni

The Tommyknockers: a novel

The spaceship’s green light glows against the black dust jacket
An otherworldly  light glows

The Tommyknockers is one of the horror novels for which Stephen King is famous: Its descriptions beg to be turned into visual formats.

It’s no surprise that Tommyknockers was made into both a TV miniseries and a film.

The story is about a writer who literally trips over a space ship that eons before had crashed with enough force to bury most of it in the Maine woods.

Something makes Bobbie determined to uncover the ship, despite signs that the remains are lethal.

Bobbie’s friend and ex-lover, Jim Gardener, intuiting that Bobbie needs him, pulls himself out of his alcoholic stupor and hitch-hikes to the rescue.

Jim finds that the minds of the entire community of Haven, Maine, are controlled by a sinister force.

King churns out episode after episode that are variations on one pattern: The residents of Haven are turning everyday objects into lethal weapons running on batteries.

They’re unstoppable because they can read the mind of anyone who wants to stop them. Visitors to Haven are left as piles of puke, blood, and lost teeth.

Jim very much wants to stop the murder and mayhem.

Chapters of the Tommyknockers would have been interesting presented as short stories. The book, at 558 pages, seemed interminable.

Tommyknockers by Stephen King
Putnam, © 1987. 558 p.
1987 bestseller #1; my grade: C-

©2019 Linda G. Aragoni

It: a Stephen King novel

From a drainage grate, claws reach for a paper boat
Paper boat is fragile

It, Stephen King’s 1986 addition to his portfolio of horror fiction, packs a double whammy.

Not only is it about one of childhood’s nightmares—the hidden, devouring creature in the drains—but its 1100+ pages embody one of older adults’ nightmares: sprained wrists from extended periods holding a heavy object.

It contains a two-part story set in Derry, New Hampshire, in 1958 and 1985.

In 1958, the Losers, seven 11 and 12-year-olds whose backgrounds and interests isolate them, investigate the evil creature they believe has lived for decades in the town’s drains, emerging about every 27 years to lure children to their deaths.

After battling, but not killing It, the Losers break up.

In 1985, the Loser who stayed in Derry calls the six who have left Derry and become highly successful, reminding them of their promise to return if It emerged again.

It has.

As in many of King’s stories, the truly evil thing is human nature. Many of the incidental stories within the main narrative are about abuse of power—fraud, kickbacks, emotional abuse, sexual abuse, incest—and failure to fight those abuses.

The novel’s focus swings from 1985 to 1958, diluting the horror of both the fictional monster and the human ones.

It by Stephen King
Viking, 1986. 1138 p.
1986 bestseller # 1; my grade: C

©2019 Linda G. Aragoni

Skeleton Crew: Strange Stories

Toy monkey refers to one of the stories in the book.
An unstoppable monkey

Skeleton Crew is a collection of 22 Stephen King short stories of varying lengths and varying degrees of weirdness.

The hefty volume rings all the bells King fans enjoy and adds a few notes about the creative process behind them.

King has a particularly good ear for children’s memories, which he demonstrates in “The Monkey,” a story about a toy that has the ability to kill, and “Gramma,” a story of an 11-year-old left to care for his senile grandmother when his mother must go to the hospital because his older brother has been injured at football practice.

My favorites stories from the collection are built around situations that would be unsettling even without any supernatural flounces, such as:

“Here There Be Tygers” in which a third grader has to go to the bathroom which is in the school basement, a very scary place.

“The Ballad of the Flexible Bullet,” in which a crazy writer feeds a creature called a fornit that lives in his typewriter and produces words for him: What else could explain them?

There may not be a story here for every reader’s taste, but there’s enough variety that most readers will find something intriguing.

Skeleton Crew by Stephen King
G.P. Putnam’s Sons. 1985. 512 p.
1985 bestseller #5; my grade: B+

©2019 Linda G. Aragoni

The Talisman: Novel by committee

Front cover of The Talisman
A web? or something shattered?

The Talisman is a tour de force by a pair of authors known respectively for horror and fantasy novels: Stephen King and Peter Straub.

The novel’s hero is 12-year-old Jack Sawyer. Jack’s father is dead; his mother, Lily, dying of cancer.

The pair are holed up in a New Hampshire hotel in the off-season to get away from his uncle, Morgan Sloat, who is trying to get Lily to sign over property she inherited on her husband’s death.

Jack meets an old, black handyman, who encourages Jack to journey into a parallel universe called “The Territories” to bring back the Talisman to cure his mother’s cancer.

Jack develops the ability to flip between universes. In the Territories, Jack pushes west, running into all kinds of nasty creatures—some bestial, some humanoid—on his odyssey to find the Talisman.

The Talisman oozes blood and gore, but the most frightening elements are those that are most closely modeled after 20th century America: An employer who takes advantage of his employees and a sadistic preacher who runs a home for boys with behavior problems.

The Talisman is proof that novel writing by committees, even a two-person committee, leaves a great deal to be desired

The Talisman by Stephen King and Peter Straub
Viking, G. P. Putnam’s Sons. ©1984. 646 p.
1984 bestseller #1. My grade: C+

©2019 Linda G. Aragoni