Told by an omniscient narrator, Ragtime, E. L. Doctorow’s 1975 bestseller, focuses on a New Rochelle, NY, family who he identifies by their roles, and a handful of characters outside their social group whose paths cross and mingle with theirs.
Father goes off to the Pole with Perry. He returns, physically weakened by the experience.
Mother, who previously had done nothing but run the house, has been running his flags-and-fireworks company competently in his absence.
If that weren’t change enough for one family, Mother finds an abandoned newborn baby in the yard, finds the black woman who abandoned it, and takes both mother and baby into the family’s home.
The baby’s father, black musician Coalhouse Walker, comes to win Sarah back.
Coalhouse introduces the family to ragtime music, which with its syncopation and black associations evokes the unsettled feeling of pre-WWI America.
Coalhouse also introduces the family to New York as blacks experience it.
Doctorow mingles his fictional story with stories of real people, from J. P. Morgan to Henry Houdini.
Doctorow’s omniscient narrator, rather than distancing the characters, seems to lay them right before readers, rather like paintings from which they may see what they will.
Ragtime is short, easy reading, and easily worth re-reading.
Ragtime by E. L. Doctorow
Random House  1st ed. 270 p.
1975 bestseller #1. My grade: A
© 2018 Linda Gorton Aragoni