Author Joseph Wambaugh knows cops. He worked 14 years for the Los Angeles Police Department until, with two novels and a nonfiction book to his credit, he quit to write full time.
The Choirboys is a about five sets of partners working the LAPD night shift. They are an oddly-assorted bunch, including military veterans, college graduates, do-gooders and do-others-first types.
They have nothing in common except the shared misery of doing a thankless job directed by incompetent supervisors for a public that hates their guts — and choir practice.
Choir practice is what the boys in blue call their weekly booze and broads bacchanals in MacArthur Park.
Officially, choir practice doesn’t happen because nothing LAPD officials refuse to admit happens, happens.
The guys in the patrol cars are on their own with disastrous results.
Less a novel than a collection of episodes, without Wambaugh’s frequent references to the shooting that would happen later The Choirboys would hardly pass for a novel: 10 main characters are about eight too many.
Wambaugh gets the details right, though. The topics of conversation and the language remind me of working the police beat as a newspaper reporter—and of why I hated working the police beat.
Cops are not choir boys.
The Choirboys by Joseph Wambaugh
Delacorte Press ©1975 346 p.
1975 bestseller #1. My grade: B
©2018 Linda Gorton Aragoni