The Saracen Blade is dull and dumb

Frank Yerby’s speciality is novels about men and women who rise from poverty to wealth, fame, and marital bliss through their brilliance, loyalty, and sexual prowess.

Yerby sets The Saracen Blade in the 13th century. Pietro di Donati, a blacksmith’s son, is born on the same day and in same town as the baby who will become Frederick II of the Holy Roman Empire.

In that era, the aristocracy ruled by violence, usually having become aristocrats by violence. Though slightly built, inclined to intellectual rather than physical pursuits, Pietro becomes part of the violent world in which kingdoms clash, religions compete, and the poor suffer the consequences.

Pietro seeks his fortune in the only way boys of his era know: attaching himself to powerful knight and hoping to rise with him. For 30 years, he trudges around Europe, North Africa, and Asia as squire, knight, Crusader and trader. He pauses occasionally to admire the women and to retch when someone other than himself inflicts mayhem.

When Pietro finally gets back home, his childhood sweetheart is waiting. By that time, I was ready to retch.

I recommend reading the appendix. Yerby’s notes are better than his novel.

The Saracen Blade
Frank Yerby
Dial Press (book club edition), 1952
1952 Bestseller #9
295 pages + notes
My grade: C
©2012 Linda Gorton Aragoni
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Linda Aragoni

I read. I write. I think. I make big ideas simple. I help teachers teach expository writing to teens and adults. In my free time, I read and review old novels.

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