The Disenchanted shows nothing destroys like success

Shep Stearns  is thrilled when studio mogul Victor Milgrim pairs him with his hero, Pulitzer-winning novelist Manley Halliday, to turn Shep’s screenplay concept into a Hollywood blockbuster.

Halliday hasn’t produced a novel in years, is over his eyebrows in debt, diabetic, and hanging on to sobriety by his fingernails.

Shep doesn’t know any of that. To him, Manley is the epitome of youthful success, an embodiment of the beautiful life Shep wants for himself.

Unwittingly, Shep provides an audience for Manley’s recollections of his life as a  ’20s celebrity and gives him enough booze to ruin both their screenwriting careers.

The character of Manley is a fictional amalgam of the big name writers of the 1920s when the cult of celebrity — idolizing the famous for being famous — began.  However, Budd Schulberg’s allusions to writers, actors, politicians who were household words in the years between the great wars make The Disenchanted feel more like creative nonfiction than a novel.

Schulberg’s plot is packed with Hollywoodish implausabilities, but his depictions of a would-be writer and a has-been writer make the book can’t-put-down reading.

The novel suggests dozens of reasons why promising writers don’t fulfill their promise, but concludes, “There is never a simple reason for not writing a book or not writing your best.”

The Disenchanted
By  Budd Schulberg
1950 bestseller #10
My grade: B+

© 2010 Linda Gorton Aragoni


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Linda Aragoni

I'm passionate about helping people learn through the medium of nonfiction writing. Although I occasionally have an idea of my own, I mostly build education tools by recycling and repurposing other folks' ideas.

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